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By letting ideas flow, this generates potential lyrics and song structures more effectively than trying to writing the song by discussing options.
Co-writing can help two creators with different talents and strengths to create a new song that neither could have been able to devise if they were working alone.
Since songwriting and publishing royalties can be substantial sources of income, particularly if a song becomes a hit record, legally, in the US, songs written after 1934 may be copied only by the authors.
Because the recapture provision of the United States Copyright Act of 1976 does not apply to "works made for hire," the rights to a song created under an employment contract cannot be "recaptured" by the writer after 35 years.
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Songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal.
His success under the arrangement eventually allowed him to found his own publishing company, so that he could "..as much [publishing income] as possible and say how it's going to be done." Songwriters are also often skilled musicians.
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For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies.