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I don’t know how many hours I spent writing about those questions, talking endlessly to friends and family about them, even bringing them up in therapy.
And because of all that, I think I developed the idea that genuine faith was meant to be difficult, and by “difficult” I meant, something that regularly drove you crazy.
It may be noted that the Gallican and Mozarabic liturgies, following the tradition of Antioch and Jerusalem (Brightman, op. 19, 51), continue the Anaphora by taking up the idea of the Sanctus: "Vere sanctus, vere benedictus Dominus noster Iesus Christus" (P. Atchley thinks that this marks the beginning of the addition of the Benedictus verses to the Sanctus, that originally these were an acclamation to the celebrating bishop and that they were only later directed towards the Holy Eucharist . Connst.", VIII, XIII, 13 (Brightman, 24), these verses are sung at the Elevation just before Communion, then they were pushed back to become an appendix to the Sanctus, where they coincide more or less with the moment of consecration. Atchley further thinks that the Benedictus in the Roman Rite is a Gallican addition of the eleventh century ("Ordo Romanus Primus", London, 1905, pp. That the verses of Matthew, xxi, 9, were first used as a salutation to the bishop is quite probable (cf. Their occurrence in the liturgy of Jerusalem-Antioch may well be one more example of the relation between that centre and Rome from the earliest ages (see CANON OF THE MASS). It means literally "Oh help", but in Matthew, xxi, 9, it is already a triumphant interjection (like Alleluia ).
It is less likely that they are a late Gallican addition at Rome. The "Lord of hosts" is a very old Semitic title, in the polytheistic religions apparently for the moon-god, the hosts being the stars (as in Genesis 2:1 ; Psalm 32:6 ). Hosanna is in the Greek text and Vulgate, left as a practically untranslatable exclamation of triumph.
Rom.), one of the dramatic touches that continually adorn the liturgy was added here. cit.) the introductory sentence calls it the "hymn of victory" ( ton epinikion hymnon ). It should never be called the Trisagion, which is a different liturgical formula ("Holy God, Holy Strong One, Holy Immortal One have mercy on us") occurring in another part of the service. Const.", VIII, XII, 27, the form of the Epinikion is: "Holy, holy, holy the Lord of Hosts ( sabaoth ). As in the case of the Preface its mode is doubtful. All materials contained on this site, whether written, audible or visual are the exclusive property of Catholic Online and are protected under U. and International copyright laws, © Copyright 2017 Catholic Online.
We too desire to say with the angels : "Holy, holy, holy "; so when the celebrant comes to the quotation, the people (or choir) interrupt and themselves sing these words, continuing his sentence. Any unauthorized use, without prior written consent of Catholic Online is strictly forbidden and prohibited.
The Gregorian Sacramentary gives the text exactly as we still have it (P. This first part of the prayer (our Preface ) takes the form of an outline of creation, of the many graces given to Patriarchs and Prophets in the Old Law and so to the crowning benefit of our redemption by Christ, to His life and Passion, to the institution of the Holy Eucharist and the words of institution, all in the scheme of a thanksgiving for these things (cf. Before the prayer comes to the mention of our Lord it always refers to the angels. 3) just the note of the first part of the Anaphora. Logically the celebrant could very well himself say or sing the Sanctus. James has: "Holy, holy, holy, Lord (voc.) of hosts. Hosanna, (he) in the highest." In this the cry of the people on Palm Sunday ( Matthew 21:9 , modified) is added (cf. At low Mass the celebrant after the Preface, bowing and laying the folded hands on the altar, continues the Sanctus in a lower voice ( vox media ). Although the rubrics of the Missal do not mention this it is done everywhere by approved custom.
about 220) ("de Oratione", 3) and Victor of Vite (d. The Leonine and Gelasian books give only the celebrant's part; but their prefaces lead up to it plainly. In view of Clement's allusion it is difficult to understand Abbot Cabrol's theory that the Sanctus is a later addition to the Mass ("Les Origines liturgiques", Paris, 1906, p. The connection in which it occurs in the liturgy is this: in all rites the Eucharistic prayer ( Canon Anaphora ) begins with a formal thanksgiving to God for his benefits, generally enumerated at length (see PREFACE). cit., 15-18), they occur twice, at the beginning as being the first creatures and again at the end of the Old Testament history -- possibly in connection with the place of Isaias who mentions them. James's liturgy this part of the Anaphora is much shorter and the angels are named once only (ibid., p.50); so also in St. So the description in Isaias, VI, 1-4, must have attracted attention very early as expressing this angelic praise of God and as summing up (in v. We thank God with the angels, who say unceasingly: "Holy, holy, holy ", etc. Blessed (is) he that comes in the name of the Lord. They must finish or he must wait before the Consecration.
That the people whom you love the most are also the ones who can hurt you the most.
So we learn to hesitate, to look before we leap, to take care, to think in advance about what might go wrong.
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576) in Gaul (in Duchesne, "Origines du Culte", 2d ed., Paris, 1898, p. The scanty state of our knowledge about the early Roman Mass accounts for the fact that we have no allusion to the Sanctus till it appears in the first Sacramentaries. Clement and then the use of Africa (always similar to Rome ) leave no doubt that at Rome too the Sanctus is part of the oldest liturgical tradition. They are always named at length and with much solemnity as those who join with us in praising God. It was a dramatic effect that never had any warrant. Meanwhile the deacon and subdeacon go up to the right and left of the celebrant and say the Sanctus in a low voice with him. While the choir sings the celebrant goes on with the Canon.